Only one published-elsewhere thing from me this week — my Thumped review of Into the Storm — but I attended three press screenings (two on Wednesday and another on Thursday), and I’ll be writing up one of them (the new Sin City movie) over the weekend, because it’s out on Monday (yeah, weird, I know).
Other than that, it was a slow week, capped off by a Friday where everything seemed to go wrong for me. Feck it, I’ve got pear cider in the fridge for later; not the one I wanted, mind, but some is better than none.
Dolph Ziggler and The Miz made a good fist of transcending their lowly mid-card status with a heated opener for the Intercontinental Championship at SummerSlam 2014. Still, it was a match that, while plenty entertaining and well put together by two able grapplers who have good in-ring chemistry and can really go, only made me think of those great IC Title matches of SummerSlams past, those proper storytelling feud-settlers preceded by weeks of build-up; Bret ‘Hitman’ Hart vs Mr Perfect is still the apex of that kind of match for me. This, while good, was nothing of the sort, especially with a finish that more-or-less came out of nowhere. (Ziggler’s the new IC Champ, by the way.)
Popol Vuh, soundtracker to the f***ing movies of Herzog! Well, there was a f***ing cinematic genius, as anyone whose slept through one of his f***ing movies will tell you - immortal classics steeped in one-finger drone music such as Dwarf In A Crate, The Man Who Mistook Himself For A Character, Straspulia (Or The Glass Hammer), The Enigma That Wasn’t, Slide Slowly Through Mud, The Wrath Of Paying Audiences, Plosnek, Bosnek and Nonek (A Trilogy) or his unmade sci-fi movie Spacewaster, all of them starring Klaus f***ing Kinski as a c***!
If this blog is for anything, it’s for posting gems like that.